“How to read a dress” connects women who have been in fashion for hundreds of years?
Clothing is communication; This is a language we unconsciously absorb. Like any language, the finer points bring the words together. When Janelle Monae hit the red carpet at the oscars, we recognized the influence she wore in the 18th century. But it’s not just about geometry. The broad French pan represents the aristocracy; The tassels on the neck were the leisure signals of the Elizabethan age; The embroidery net shows the imperial dress, abandons the building of the costume, and favors the subtle decoration. Through this lens, monet’s robes become a statement of extravagance and celebration, deliberately recycling and challenging a major white historical narrative and drawing on three centuries of fashion history. It’s just how a dress reads a dress and it will love.
Historians to the clothing, including janet Arnold details that endless resources, fashionable pattern and ingrid beautiful detective and Alexandra Kim’s dress, it Outlines the clothing artifact academic explanation. But these can overcome a newbie – perhaps someone who is happy to turn on the TV, a period of time, a place to see something, just want to know why it doesn’t belong. For a large number of eye candy and side scholarships, Lydia Edwards is an expert on how to read a dress.
The key words are “introduction”. Given that it covers nearly five centuries, the book makes some complicated tailoring work fast. Edwards has a narrow focus on western European style and existing clothing, and individual chapters of the head – covering any time of the decade to a century – are brisk and brief. You might be tempted to use more research to fill gaps, such as when Edwards notice from relatively tolerant of clothes in the 1830 s to the 1840 s of the restrictive tights and a big change in bodice, only hinted it might inspire such dramatic changes (maybe we plan to end detective dress after all.)
But how to read a piece of clothing can’t be a detailed history, it’s the same, it doesn’t try. Instead, it skillfully separates the differences between art books and vocabulary – guided by a known narrator to a collection of clothes. Each garment has a one-page, one-page, point-by-point note, using a convenient narration to present a contemporary pleated sketch, or to look closely at the details of a printed piece. Although there are few dresses perfectly conform to the ideal, but each dress style and structure characteristics of the final is more interesting than textbook case: although they remind people as a historical artifact, but the dress is also a kind of reflect the personal things. A monochrome Victorian afternoon dress or a corset that was redone in an outmoded regent dress could hint at social class and regional differences,
Edwards’s job is to use this kind of clothing as a living thing. Planning the collection includes costumes from the funeral found everything to the department store and provides an imbalance but charming style base, invite you to connect several centuries, want to know how to reflect the great social changes in our daily life, and tell you about the shoulder seam position. Whether you’re a bookworm or just curious, how to read a dress will give you some insight into the language you’re wearing. Television will never look the same.