George lee’s “way of reason” stands out for the piano.


George lee’s “way of reason” stands out for the piano.

George lee is a young pianist. At the age of 10, he held his first public concert and won a silver medal in Moscow’s estee Tchaikovsky competition on May 15. Lee recently released his debut album on a major brand and has been performing with some of the world’s best orchestras.

Lee, now 22, told me how his day started. He had a confident coolness that sounded like a typical college student.

“I expect to get up at around 9:00, and then I go to class,” he said. “This is an English class on gender and representation.”

Wait a minute. An English course as a concert pianist?

“I think the wisest course would be to have me go to some music school,” lee admitted. “But I really believe I want a full education.” This is where English lessons come in.

“For a while, I felt that music had a lot to do with literature,” he says. “So it helps me understand music more deeply.” Lee enrolled in a mixed course at harvard and New England’s music college.

At the heart of lee’s album is Chopin’s second piano sonata second piece – the third movement is an impressive funeral march. Chopin was close to li’s heart, because it was Chopin’s music, and he won the top prize at the age of 14 in the cooper competition at music college in oberlin.

As we spoke, I was surprised by li’s last victory.

“I can’t even find a performance like that myself,” he laughs. But lee did not laugh when we heard him burning in the last pages of Chopin’s first piano concerto. It ended with a loud applause.

“Yes, I mean it’s a very dynamic performance, but I’m definitely different about how I approach it now,” admits li, a little embarrassed. “If I play now, I will be more refined.”

But when they heard George lee playing, the critics did not shy away. They called him “the chief talent”. One thing that kept him apart was that, despite all his “charming skills,” he was more than just an empty performer. He pointed out that his mind was well adapted to the nuances of the score.

Li na’s album, Live in the Mariinsky, was released last fall at warner classical music and began with a sonata from Haydn’s B minor. Li’s subtle touch makes music shine.

“I think the main requirement is touch, it has to be very sensitive,” he told Haydn. “Imagine the image of a champagne bubble, or the sound of champagne pouring into a glass.”

Li was born near Boston. His parents came to the United States from China in the 1980s. He said they had little chance to hear the growth of classical music during the cultural revolution. Li started playing the piano at the age of four and thought it was just a hobby. But one day, when he was 11, playing Beethoven’s first piano concerto, everything changed.

“All of a sudden, I felt different in the show,” he recalled. “I was transported in some other reality, and I felt the work and all of these emotions within me.” Li’s light bulb was on.

“And then I wanted to do it for the rest of my life.”

Luckily for George lee’s fans, it could be a long time.


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